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Newport Jazz sold out all three days in advance for the second year in a row, which made scheduling the primary acts across three stages prone to occasional mismatches between space and demand. But it’s still a golden ticket.
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Hopefully, Hollywood will take note of this impressive dramatic accomplishment, and more Indigenous stories will follow.
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The letters of this protean figure in American musical theater induced in this reader a pleasurable mixture of nostalgia, voyeurism, and insight.
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The high spirits and tolerance in this enjoyable production reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Eoin Higgins’s “Owned” is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintain power.
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Deconstructing construction in “Architecton.”
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Despite the passing years, personal loss, and shifting musical roles, Wednesday’s 80-minute set proved that everything’s indeed ok with TV on the Radio.
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By Ralph P. Locke Joachim Raff’s energetic and characterful Die Eifersüchtigen hits its mark, in its first production ever. Joachim Raff: Die Eifersüchtigen (The Jealous Ones) Serafina Giannoni (Donna Rosa), Raìsa Ierone (Donna Bianca), Mirjam Fässler (Ninetta), Benjamin Popson (Don Claudio), Batthias Bein (Beppino), Balduin Schneeberger (Don Giulio), Martin Roth (Don Geronimo). Orchestra of Europe,…
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Film Review: “Made in New Jersey” — A Fabulous Trip in the Cinematic Way-Back Machine
This journey in the way-back machine contains many delights, some staged and some as part of the photographic record of America from 100-plus years ago.
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