Posts
Robert S. Neuman used modernism’s interest in abstraction and material accident to shape lively compositions that riffed on urbanization, biblical themes, war, the space race, indigenous rights, mental illness, and other topics.
Read More
This American remake does not have the power, the confidence of tone, or the aesthetic artistry to measure up to the horrifying original.
This American remake does not have the power, the confidence of tone, or the aesthetic artistry to measure up to the horrifying original.
Read More
Host Elizabeth Howard talks to a pair of writers and scholars about the media’s short attention span and the heavy rains that, back in July, flooded Eastern Kentucky in Appalachia.
Read More
The Whale is a bracing two hour battle against destiny.
Read More
Once the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
Read More
This coffee table book scan of women’s history is visually striking and consistently informative.
Read More
There are cringe-worthy moments as well as scenes of mesmerizing beauty in Disney’s live-action Pinocchio. But I’ll go against the critical grain and argue, for several small reasons, and for one big one, that it was necessary to make it.
Read More
As a satire on the power of male-dominated corporations to manufacture consent and conformity, Don’t Worry Darling is devilishly amusing. Though credibility is not its strong suit.
Read More
It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.
Read More
Book Review: Colette’s “Chéri” and “The End of Chéri” — Tales of Love and Morality
A superb new translation in one volume of the two Chéri novellas, regarded as Colette’s masterwork.
Read More