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The structure, plot, themes, tone, and diction of Was It For This all combine to consecrate the ordinary alongside the exceptional.
In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
The Emerson Quartet’s greatest strength lies in its ability to temper individual excess in favor of a lush corporate blend.
This splendid biography of Leon Battista Alberti, beautifully produced, with a rich selection of well-placed and well-reproduced illustrations, vividly portrays one of the most complex and fascinating figures in a complex and fascinating time, one whose preoccupations are entirely relevant today.
Groton Hill’s stunning new venue is a beautifully designed and acoustically brilliant music hall that is certain to become a desired destination for artists touring New England.
Here’s my TV suggestions for the late-January period of long cold dark days and nights.
Alice, Darling is a potent reminder to women that they should trust their instincts — and rely on their friends.
In the hands of some, Szymanowski’s Second Violin Concerto can be tame and traditional. As conducted by Karina Canellakis, and performed by the BSO and violinist Nicola Benedetti, the piece came off as bold, colorful, and urgent.
Host Elizabeth Howard talks to poet and writer Diane Glancy about her book on a young Iñupiat woman who, in 1921, traveled to Wrangel Island, 200 miles off the Arctic Coast of Siberia, as a cook and seamstress, along with four professional explorers.
Arts Remembrance: David Crosby — One More Link to Rock ’n’ Roll’s Golden Era Lost
When I glorify or romanticize an artist like David Crosby it is because the performer has a gift for alchemizing songs into something huge, powerful, spiritual, and communal.
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