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International Event Preview: “Where Do You Live?” — Her Story Is Looks at Iraq Today

February 27, 2023
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By focusing on dialogue and artistic collaboration, Her Story Is explores what life is like for Iraqis now, especially the country’s women.

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Visual Arts Review: “Matt Pawleski/Matrix 191” — Flirting With the Functional

February 26, 2023
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Instead of adoring function from an aesthetic distance, Matt Paweski confronts it where it lives. These sculptures play with the self-insistence that function has always had in modern design.

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Coming Attractions: February 26 Through March 14 — What Will Light Your Fire

February 25, 2023
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Book Review: “What’s Prison For?” — A Case for Building Trust and Mutual Respect

February 25, 2023
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In this valuable and necessary book Bill Keller argues that American prisons need to accept that men and women don’t stop being human beings because they’re in the custody of the state.

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Theater Review: “Fairview” — A Room With a View?

February 24, 2023
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It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.

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Folk Album Review: “Ears of the People” — Ekonting Songs from Senegal and the Gambia

February 24, 2023
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The banjo’s African relative makes its American debut via a new Smithsonian Folkways album.

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Watch Closely: Midwinter Moods

February 23, 2023
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This week’s column is all about cozy comfort, decadent distractions, and heart-melting romance.

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Book Review: “Big Swiss” — Quirky As All Get-Out

February 23, 2023
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Big Swiss is effervescent and funny, even if overcooked to some extent.

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Film Reviews: 2023 Oscar Nominated Short Films — Documentary 

February 23, 2023
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A critical look at 2023 Oscar Nominated Short Films: Documentary showcase..

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Weekly Feature: Poetry at The Arts Fuse

February 23, 2023
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Here’s this week’s poem.

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