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The plot of The Red Balcony ticks along briskly. Jonathan Wilson is a gifted narrator and scene-maker.
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A masterful composer of French Baroque violin sonatas displays another side of his immense talent in this first-rate new recording of his Scylla et Glaucus.
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We are understandably upset when market forces threaten the things we consider to be sacred.
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It’s refreshing to watch a teen series where the characters are not trying to solve a murder, venture into a parallel universe, or become possessed by an evil force.
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There could have been more serious attention to the music, more of his immortal rock songs played start to finish. Otherwise, Lisa Cortés’ Little Richard: I Am Everything is the documentary about the Black and Queer rock’n’roll icon we’ve been waiting for.
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Local film festivals like BUFF are keeping what’s left of the American film industry from turning into a massive IP holder churning out algorithmically generated slop for the masses.
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In honor of Big Ears’ tenth edition, here’s a look at ten of my favorite festival moments.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
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Earl Lee, the BSO’s assistant conductor, pulled off a memorable debut. Let’s have him back in the subscription series again, and soon.
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Arts Feature: Best Movies (With Some Disappointments) of 2025