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Children’s Book Reviews: Of Grannies and Grandads

April 21, 2023
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April weather may be unpredictable, but the bond between grandparents and children is not. Here are some new books that celebrate that special relationship.

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Dance Review: Bill T. Jones’ “Curriculum II” — Visceral Meditations on the Intersection of Race and Technology

April 21, 2023
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 Bill T. Jones/Arnie Zane Company’s Curriculum II is no intellectual exercise. It is a gut-wrenching journey into the heart of darkness, offset by flashes of compassion and light.

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Film Preview: The Salem Horror Fest 2023 — A Preview

April 20, 2023
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This year’s version of the iconic festival features a number of premieres, some restorations, and some screenings of well-loved cult classics, as well as a number of special guests.

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Film Series Reviews: “Still Life with Hong Sangsoo” — Tingly Comedies of Discomfort

April 20, 2023
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Whereas Hong Sangsoo’s filmography abounds with coming-of-age stories featuring young characters embarking on their romantic/sexual and professional lives, two of these three films spotlight middle-aged characters, with one specifically dealing with disease and mortality.

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Weekly Feature: Poetry at The Arts Fuse

April 20, 2023
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Here’s this week’s poem, Patrick Pritchett’s “Entropy.”

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Book Review: Bostonian Romance Novelist Emilie Loring — Once a Giant

April 19, 2023
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The biographer makes her case with evident joy, drawing on wide-ranging research to supply a lucid, sympathetic homage to Emilie Loring’s indefatigable determination and sunny-side up literary sensibility.

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Music Interview: Talking to Dennis Diken of The Smithereens — Unapologetically Inspired

April 18, 2023
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The Smithereens have released only two albums of original material since 1999, so it was pleasantly surprising when The Lost Album, consisting of a dozen songs recorded in 1993 but never released by the band, appeared last September.

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Classical Music Concert: Beatrice Rana — A Beguiling Pianist

April 17, 2023
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Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.

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Classical Concert Review: BSO’s Nelsons leads Escaich; Chamber Players Perform Ravel, Gubaidulina, and Beethoven

April 17, 2023
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Andris Nelsons has a fine feel for colorful musical canvases, a talent once again displayed in performances of Thierry Escaich’s Cello Concerto and Rachmaninoff’s Symphony No. 2.

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Classical Concert Review: Boston Philharmonic Plays Mahler’s “Das Lied von der Erde”

April 17, 2023
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Few conductors in Boston have a feel for late Mahler the way Benjamin Zander does.

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