Posts
Does the world really need another personal abortion story? The answer is “yes,” Pauline Harmange argues.
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Katherine Heiny has a particular talent for opening lines: “Your elderly father has mistaken his four-thousand-dollar hearing aid for a cashew and eaten it.”
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Armed with a quarter of a billion dollars from the people who chucked him to the MAGA wolves, director James Gunn has created one of the most mean-spirited and nasty movies to have come down the pike since Straw Dogs.
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Her hope for Israel today, Zoya Cherkassky told me, is the evolution of a multi-racial society that she hopes will ensure its survival.
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And So We Walked is about the performer finding her roots, and that quest is often meandering.
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From beginning to end, this was a magical concert: beauty, poetry, and yes, unbelievable chops.
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A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
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Éric Vuillard’s method is to create an ironic rapport with the powerful: his vignettes dramatize how France’s elite delude themselves into thinking the colonial world order can be kept intact after World War Two.
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Here’s this week’s poem, January Gill O’Neil’s “The Map.”
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Arts Feature: Best Movies (With Some Disappointments) of 2025