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The fox knows many things in My Stupid Intentions. The beech marten just one.
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Given the overwhelmingly loud and appreciative response from the sold-out crowd, which hung on every note of Leslie Odom, Jr.’s diverse and stirring set list, he’s unlikely to forget Groton anytime soon.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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At New Hampshire’s just-christened Nashua Center for the Arts, 68-year-old jazz guitarist Pat Metheny shared a wily sidelong glance at his own broad compositional and improvisational history.
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In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
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As usual with Craft Recordings reissues, these lps are impeccably produced: the silence of the recording before the music starts is almost startling, but it’s the clear sound of what follows that is most impressive.
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This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
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We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
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The problem is that the factoids and bits of trivia supplied by Act Naturally rarely tie back to any larger narrative, or serve any discernible purpose other than to be cataloged.
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Samantha Fish is coming to the Cabot Theater on June 16. Her latest disc, produced by Jon Spencer, currently sits atop “Billboard”’s Blues Albums chart.
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