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The Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.
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More reviews of noteworthy documentaries at this year’s Tribeca Film Festival.
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Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
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This week’s poem — Ruth Lepson’s “They Came And They Went.”
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Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.
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It’s really a feat — to meld the imaginary with the truth, but Open Throat does it just smashingly.
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WasFest was a unique spread of mostly Blue Note artists covering classic albums of either their own or their inspirations, and the first two nights offered a range of jazz permutations.
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WasFest is a very welcome addition to Boston’s arts landscape, invaluable because it invites artists to push themselves forward while they acknowledge their still powerful influences.
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Perhaps more impressive — though too late to evolve further given the group’s impending finale after eight years and more than 200 shows — was the growing roles and comfort level shown by Dead & Company’s younger charter members.
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There was nothing sloppy about the band’s searching and probing: the members of Dead & Company were perfectly locked into each other, were enjoying the musical exchanges being made in the moment.
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