Search Results: "ezra haber glenn"
As with many horror and action films (and probably much of real life), the build-up is better than the eventual resolution/climax.
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Fern may be house-less, but she’s not homeless — there’s a difference, she explains; her home will be the road, and the road is full of life, love, challenges, and surprises, all there for the taking.
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Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
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Censor explores thought-provoking questions about the strange relationships between films, society, fantasy, and reality — and individual identity — in an increasingly mediated and violent world.
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At a time when the nation is taking stock of the failures of our history of urban policing and looking for some new approaches, the lessons of Hold Your Fire are needed more urgently than ever.
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The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.
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In this innovative series, the Huntington Theatre Company has charged 11 local playwrights to imagine a future vision of Boston, post-pandemic, when “we can once again meet and connect in our city.”
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This “father and sons on the lam” film adeptly blends genres (in this case: sci-fi plus thriller). It is well assembled, emotionally compelling, and beautifully shot.
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As its plot unfolds, Amsterdam treats us to a strangely magical form of visual and verbal storytelling, both humorous and hard-edged, by turns sweet and shocking, with richly curated frames and bright spirited dialogue.
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While the film is determinedly called “Herself “(“you got this, girl…”), the subtitle could equally have been “It Takes a Village…”
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