Mauerpflanze (Wallflower)
Paul Klee (German (born Switzerland, active Germany and
Switzerland), 1879–1940)
1922
Transparent watercolor, pen and brown ink, with graphite
underdrawing
* Seth K. Sweetser Residuary Fund
* Photograph © Museum of Fine Arts, Boston

Visual Arts Review: Flux and Form — Calder-Klee and Giacometti-Rothko Dialogues at MFA Boston

Coming Attractions

Coming Attractions: March 1 Through 15 — What Will Light Your Fire

Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

The Arts Fuse Currents

Music

Jazz Concert Reviews: Jamie Baum Quintet and Miguel Zenón Quartet

By Jon Garelick | March 11, 2026

Reviews of live performances by bands led by flutist and composer Jamie Baum and saxophonist Miguel Zenón.

Visual Arts

Visual Arts Review: Flux and Form — Calder-Klee and Giacometti-Rothko Dialogues at MFA Boston

By Mary Sherman | March 13, 2026

“Taking a Line for a Walk: Alexander Calder & Paul Klee” and “An Imagined Dialogue: Alberto Giacometti & Mark Rothko” are touching reminders of the remarkable kindness inherent in making art – the desire to reach across time and space to offer something to another.

Film

Film Review: Echoes of Passion — Arnaud Desplechin’s “Two Pianos” Plays on the Keys of Loss and Love

By Erica Abeel | March 10, 2026

Here’s a drama that explores with uncommon pathos the ways that people confront—with grace or with fury—what they’re compelled to give up.

Books

Children’s Book Reviews: A Pair of Notable Women

By Cyrisse Jaffee | March 12, 2026

Two new biographies spotlight women whose remarkable achievements have enriched our understanding of our world.

Poetry at The Arts Fuse

Weekly Feature: Poetry at The Arts Fuse

March 12, 2026

The week’s poem: Chad Parenteau’s “Disown”

Dance

Dance Review: Trisha Brown Dance Company — Elegance, Wit, and Enduring Innovation

By Debra Cash | February 15, 2026

The question was how well these mid-20th century works would hold up and how, with the passing of time, those dances would look to both familiar and fresh eyes.

Theater

Theater Review: “Like Flies” — A Cauldron of Female Fury at Portland Stage

By David Greenham | March 11, 2026

Is anyone surprised that playwrights like Kearnan are creating works that show us women who are resourceful — and ready to fight back against their oppressors?

Television

Television Review: “The ‘Burbs,” A Suburban Snooze — Fangless and Flat

By Sarah Osman | February 16, 2026

Considering its hard-to-fault premise, Peacock’s “The ‘Burbs” should be a lot more fun than it is.

Podcasts

Short Fuse Podcast #86: Cinema Rodrigo — Talking Film

By Elizabeth Howard | March 11, 2026

On the cusp of the Academy Awards and the Oscars ceremony, host Elizabeth Howard talks with Aldo Juraidini, design director at Studio Rodrigo, who also directs and curates films for Cinema Rodrigo.

Short Fuses

March Short Fuses — Materia Critica

By Arts Fuse Editor | March 1, 2026

Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

Spotlight

Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic

By Jeremy Ray Jewell | March 13, 2026

The artist is a glitzy ribbon that ties together incompatible images—the mega-prison and the megastar.

About the Arts Fuse

The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. Support arts coverage that believes that culture matters.

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