Posts
Grupo Corpo’s dancers are as technically astute as other top dance companies, but they excel at conveying a lushness of movement that feels sensual rather than sexual.
Read More
A pair of documentaries featured in this year’s Arlington International Film Festival take a cold look at the death cult of fascism — past, present, and to come.
Read More
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More
The intent of this fine album to dramatize the enduring legacy of Martin Luther King: no justice, no peace.
Read More
A massive, comprehensive new box set once again shows us the diva’s indomitable place in the history of opera.
Read More
The late Robert Brustein’s shadow is long. But his legacy is problematic.
Read More
Under the guidance of Artistic Director Lisa Gossels, this year’s fest has, in her words, “something for everyone.”
Read More
In a time of outrage and grief, a trio of documentaries at the BJFF serve as a reminder of the traditional Jewish values of compassion and inclusion, reaffirming the power of activism, art, and simple acts of human kindness.
Read More
Goosebumps is pretty much a failure as a series because it lacks most of R.L. Stine’s entertaining alchemy.
Read More
My Morning Jacket remains one of rock’s best live acts, and a stylistically broad one. And more bands should be so generous in not only representing their entire catalog but mixing up the song selection every night.
Read More
Holiday Commentary: Making Room for the Stranger