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Weekly Feature: Poetry at The Arts Fuse

January 18, 2024
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This Week’s Poem: Joyce Peseroff’s “ARS POETICA”

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Book Review: Jack Kerouac’s “Pic” — Last But Not Least

January 17, 2024
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In “On the Road,” Jack Kerouac voiced a longing to be “other.” He achieves this transfiguration in “Pic.”

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Concert Preview: O Positive and Three Colors — Together Again with Purpose

January 16, 2024
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O Positive and Three Colors will reunite at the Paradise Rock Club this Friday for “With a Little Help from My Friends: a Benefit Concert for a Friend in Need.”

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Book Review: “Hedged” — How Private Equity Destroyed the Newspaper Business

January 16, 2024
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Newspapers are still our most reliable source of local journalism. Private equity, though, is squeezing the life out of newsrooms as greedy owners cash in.

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Rock Concert Review: Willie Alexander’s 81st Birthday Bash — Exceeding Expectations

January 15, 2024
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The godfather of Boston punk drew a who’s who of local rock history to a new music club on Cape Ann.

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Coming Attractions: January 14 through 30 — What Will Light Your Fire

January 14, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Book Review: “The Geography of the Imagination” — Longing for Something Lost

January 14, 2024
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Touted as “perhaps the last great American polymath,” Guy Davenport had a singular mind; never was an artist more deserving of the MacArthur Foundation’s “genius grant.”

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Book Review: “The Soundies” — A Definitive Study of the Musical Film Shorts of the ’40s

January 13, 2024
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Author Mark Cantor has been the go-to guy for jazz film for decades: this authoritative book solidifies his position.

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Television Review: “True Detective: Night Country” — In the Bleak Midwinter

January 13, 2024
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When the identities of the guilty are finally revealed in this new season of a superb “True Detective,” it is terrifying and glorious.

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Jazz Album Review: The Baritone Sax of Josh Sinton — Exploring the Possibilities

January 12, 2024
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These pieces are an intellectual challenge to the listener as well as a sensual pleasure. They should send saxophonists back to the practice room.

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