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Jazz Album Review: Tenor Saxophonist George Coleman Is in Command on One for All’s “Big George”

March 15, 2024
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“Big George” is polished, tonally elegant, and beautifully recorded

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Book Review: “The Road from Belhaven” — How Hope and Resilience Can Prevail

March 15, 2024
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Margot Livesey has given us an exhilarating historical novel filled with fascinating details of a different time in an isolated part of the world, all rendered in gorgeous prose.

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Theater Review: Touring “Girl From the North Country” – A Slow, Serious Musical set to the Bob Dylan Catalog

March 15, 2024
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Bob Dylan’s music has rarely been more heartbreaking, his poetic storytelling rarely more beguiling, and the singing never less nasal.

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Film Review: “Love Lies Bleeding” — Fatigued Existential Ruthlessness

March 14, 2024
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“Love Lies Bleeding” is a glorious work of sweaty, dusty, pulp filmmaking.

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Weekly Feature: Poetry at The Arts Fuse

March 14, 2024
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This week’s poem: Sharon Mesmer’s “Sage-Femme”

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Folk Album Review: “Swingin’ Live at the Church in Tulsa” — Taj Mahal Ascendant

March 14, 2024
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“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.

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Book Review: “Galway Confidential” — Amidst the Castaways

March 14, 2024
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At a time when it seems as if the world is spinning out of control, steeped in anonymous violence, a Jack Taylor novel provides a front and center opportunity to contemplate doing something about the issues in our own backyard.

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Jazz Album Reviews: A Trio of Organ Trios Who Pull Out All the Stops

March 14, 2024
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Here’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.

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Film Review: “Shayda” — Memories of a Courageous Mother

March 13, 2024
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Noora Niasari’s personal involvement elevates “Shayda” above melodramatic Lifetime fare: this is a compellingly warm tribute to the Iranian director’s mother.

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Opera Album Review: Gluck’s Final Opera Finally Steps into the Spotlight via a Superb New Recording

March 13, 2024
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Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.

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