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Documentaries celebrating communities shine at the Independent Film Festival of Boston.
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What is it about Final Summer that makes it a very good Cloud Nothings album but not a great one?
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Want to see some excellent new films? How about in pairs?
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Umphrey’s McGee’s Um Bowl was an exhaustive two-night series for non-diehards but rollercoaster nirvana for the initiated.
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“Billy Ruane built a legacy, and 14 years after his death you can still feel his presence in local clubs. He fermented a scene that still lives on today.”
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The artist is currently facing the existential throes of art-world fame and fortune.
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Ultimately, on some level, the Boston Philharmonic Orchestra’s performance of Bruckner Ninth functioned as a study in approaching the unknown (and unknowable) with humility.
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“We ask them to interpret the music through their own experiences, so they are connecting to and performing what Mr. Ailey called ‘blood memories’ on stage.”
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Other readers may be more sympathetic to this informative book’s broader conclusions about the rise of LP’s and the “erasure of black bodies and black aesthetics.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler