Posts
The latest film from Yorgos Lanthimos is a confusing mishmash of forced weirdness.
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It was not just networking that propelled William Parker into the front rank of bassists. He could generate such a huge and complex cascade of sound that he energized leaders from Cecil Taylor and Ivo Perelman to Zoh Amba.
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Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
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Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.
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A profound piece of director Chris Wilcha’s life was being disrespected and threatened with extinction. He had to do something. He had to make a documentary about it.
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“The only way to keep the music alive is to view it as a living thing and support artists who approach it that way, rather than as a museum piece.”
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At this year’s festival: the Best Film of 2024, “We Strangers,” and a slew of gossipy docs on show business celebrities.
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This unconventional memoir suggests that music can do more than just change ideas or beliefs — it can transform minds, overhaul brains.
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Book Review: “Big Fiction” — Is the Author Hive-Mind or Queen Bee?
On closer inspection, Dan Sinykin’s notion of a “conglomerate author” is largely a fiction.
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