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Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.
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Each of these four projects requires deep attention from a listener. Only two of them repay that attention with the musical rewards that bring a listener (this listener, at least) back for rehearings.
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Multi-instrumentalist Andrew Lamb, with his spiritual imperative, is clearly seeking, and achieving, incantatory power.
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Authors Anthony E. Kaye and Gregory P. Downs claim that Nat Turner would have seen himself as a Christian prophet.
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For decades the MFA gave Dalí the cold shoulder, so it’s great that this maiden voyage is non-puritanical and open to the artist’s less than wholesome instincts to provoke.
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“This book let me find out for myself why I’ve been obsessed with Dylan since my teens, and I presented what I learned in a way that I hoped others would at least see that I’m not crazy.”
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Audiences will hear the new musical direction violinist Lindsey Stirling and her band have taken when they perform at Fenway’s MGM Music Hall.
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This week’s poem: Julia Lisella’s “Low Tide, Ryder Beach”
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When the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.
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George Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
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