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Coro Allegro successfully delivered the joy, grief, and nostalgia inherent in each of these complex vocal works.
Read MoreThe Takács Quartet have won the kind of acclaim that most chamber groups can only dream of, and their concert in Boston made their enviable reputation understandable.
Read More“Hanoi’s War” deserves far more attention than it has thus far received. It enriches our understanding of the War in Vietnam and by implication, subsequent American commitments, including the war in Afghanistan.
Read MoreRichard Vacca’s The Boston Jazz Chronicles will be a foundational document that other researchers will turn to again and again as they delve into more specific niches of Boston jazz history and unearth as yet unknown artifacts of this era and its neglected body of music.
Read MoreIsaiah Sheffer’s lasting contribution will be his almost single-handed revival of interest in that most beguiling of fictional forms, the short story.
Read MoreWhy, Rita Costanzi asks incredulously, do harpists, albeit occasionally, marry other harpists: “Does the word masochist mean anything to you?”
Read MoreThe more cerebral visitor may leave “Collision18:present” wondering if, like the classic definition of what constitutes pornography, ‘cyberart’ is firmly situated in the eye of the beholder (or of the curators).
Read MoreWith “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.
Read MoreThe Huntington Theatre Company is hosting an exemplary revival of Harold Pinter’s fascinating 1978 work, thanks to the spot-on direction of Maria Aitken.
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