Visual Arts
In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
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RISD Museum’s well-curated show Bona Drag is a powerful act of remembrance.
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Given the tensions in our current political and social environment, conversations and alliances such as these, that generate respect through listening to the voices of others, is essential.
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The renovated Hood Museum of Art feels open and free.
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One sees how the keen observation and “truth to nature” that critic John Ruskin espoused was put into action by John Constable and J.M. W. Turner.
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Armenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
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Despite its serious treatment of surreal art, Monsters & Myths is a real delight.
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Playful and political, eerie and goofy by turns, this exhibition brings together puppets, performing objects, masks, and puppet (and doll) performances on video.
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Perhaps Eugène Delacroix is best regarded as a leader of the resistance to academic art, part of the transition to impressionism.
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For once, an exceptional reboot of a classic game.
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Arts Commentary: Rich in Creativity — But Nothing Else