Theater

Theater Review: Yale Rep’s “Caucasian Chalk Circle” — Singing Well About Our Dark Times

April 10, 2015
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Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.

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Theater Review: Lyric Stage’s “City of Angels” — A Witty, Jazzy Delight

April 7, 2015
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The Lyric Stage Company’s entertaining production of this Tony-winner for best musical, book, and score hits most of the right noirish notes.

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Theater Review: ASP’s Powerful “God’s Ear” — The Poetics of Grief

April 3, 2015
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Actors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.

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Fuse Theater Review: The Hypocrites’ “Mikado” — A Theatrical Wow

April 2, 2015
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Don’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.

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Theater Interview: Actor Marc Labrèche — On Robert Lepage’s “Needles and Opium”

March 30, 2015
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“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us.”

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Theater Review: A “Big Fish” Out of Water at SpeakEasy Stage Company

March 22, 2015
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The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.

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Theater Review: “From the Deep” — Real Pain in an Imaginary Space

March 20, 2015
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From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.

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Theater Review: Culture Clash at 30 — Still Making Ballsy Political Theater

March 16, 2015
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Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.

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Theater Review: “The Colored Museum” — Raucous, Riveting, But Out of Sync

March 15, 2015
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George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.

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Theater Commentary/Review: On American Stages — No Politics, Please

March 14, 2015
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In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.

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