Theater
Like Samuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.
This production of Charley’s Aunt has the rhythm of a Mozart operatic finale — all the parts contribute to a dizzy harmony.
Federico García Lorca’s Blood Wedding remains edgier than most American fare in this century.
In Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.
While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.
John Patrick Shanley’s Outside Mullingar is a romantic comedy, so you can guess the dénouement, but all the fun is in getting there.
If you love classic musical comedy, this is a production you must see.
In this Shaw Festival production we have something all too 21st century: the deliberate dumbing down of a complex play.
William Inge’s Off the Main Road is both contemporary and politically incorrect in the best ways.
Out of Sterno punches the same punchline far too often.
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