Theater
Bridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.
Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
It is no longer enough for a playwright to go into the belly of the ‘beast’ and pray for help.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed