Theater
Jess Foster’s clever script takes the trope of “cars are like women” to its logical, though unexpected, extreme.
The humor of Toole’s novel, its enjoyment of puncturing surfaces and pretensions, has been reduced to punch-line humor and one-liners.
Perhaps the yuck factor of Night is a Room’s sexual proclivities elicits giggles as a cover for not knowing how or for whom to care.
The Huntington Theatre Company is giving Jeffrey Hatcher’s stage adaptation of the celebrated comic novel a congenial production.
Liars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.
A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
“Theater producers do not want to make their audience members uncomfortable and talking about race makes folks uncomfortable.”
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed