Theater

Theater Review: “Saturday Night/Sunday Morning”—As Expected as the Sunrise

November 2, 2015
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Dramatist Katori Hall’s narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.

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Theater Review: “Casa Valentina”—Dovetailing Hilarity and Heartbreak

November 2, 2015
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Casa Valentina’s dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.

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Fuse Theater Review: “Everything Between Us” — A Protestant Perspective On The Troubles

October 31, 2015
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David Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.

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Theater Review: “Choice” — Call Ghostbusters

October 30, 2015
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It is hard to figure out just what playwright Winnie Holzman is up to in Choice: is this a supernatural sit-com?

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Theater Review: “A Measure of Normalcy”—Mauled at the Mall

October 27, 2015
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A Measure of Normalcy pays more attention to its many themes than its characterizations..

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Theater Review: “Copenhagen”—A Dazzling Production Conceals Moral Confusion

October 17, 2015
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Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.

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Book/Theater Interview: Library of America Celebrates Arthur Miller’s Centennial

October 16, 2015
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The Library of America has done its part to applaud Arthur Miller’s 100th birthday with a handsome 3-volume set of his plays.

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Theater Review: “I and You”—Sounding a “Barbaric Yawp”

October 16, 2015
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This gem of a play that is guaranteed to make you gasp at its surprising conclusion and leave the theater reveling in its lush language and the outstanding performances.

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Theater Review: New Rep’s “A Number” Doesn’t Add Up

October 15, 2015
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The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.

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Theater Review: Harold Pinter’s “The Homecoming” at the BTG—Stillborn

October 14, 2015
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Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.

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