Theater

Theater Review: “Copenhagen”—A Dazzling Production Conceals Moral Confusion

October 17, 2015
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Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.

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Book/Theater Interview: Library of America Celebrates Arthur Miller’s Centennial

October 16, 2015
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The Library of America has done its part to applaud Arthur Miller’s 100th birthday with a handsome 3-volume set of his plays.

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Theater Review: “I and You”—Sounding a “Barbaric Yawp”

October 16, 2015
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This gem of a play that is guaranteed to make you gasp at its surprising conclusion and leave the theater reveling in its lush language and the outstanding performances.

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Theater Review: New Rep’s “A Number” Doesn’t Add Up

October 15, 2015
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The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.

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Theater Review: Harold Pinter’s “The Homecoming” at the BTG—Stillborn

October 14, 2015
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Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.

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Theater Review: “An Audience with Meow Meow”—Blinded by Glitter

October 11, 2015
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Meow Meow milks the audience for applause so often it feels as if we are seated on stools in a dairy barn.

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Theater Review: “Veils”—On Screens, Public and Private

October 9, 2015
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Veils moves from political rallies to private show-downs, from blog exposition to deft, direct, and sometimes swiftly nuanced dialogues.

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Theater Review: Bridge Rep’s “Salomé”—Never a Dull Moment

October 9, 2015
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Bridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.

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Theater Review: “Einstein’s Dreams” — Time After Time

October 3, 2015
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Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.

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Fuse Theater Review: ASP’s Compelling “Othello” — Taking a Different Tack

October 1, 2015
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ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.

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