Theater
Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.
Read MoreDespite this, he is vexed by how the play draws out the anti-Semitism of English audiences
Read MoreRichard Nelson’s family members talk to each other, not to us. We are privileged to be permitted to listen in.
Read MoreBootycandy is sharp-witted and entertaining — but thoroughly sugary.
Read MoreSocialism is no longer a discredited word, and Fo brings an impish sense of divine comedy to the clash between the haves and the have nots.
Read MoreMJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Read MoreLisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
Read MoreAugust Wilson’s dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.
Read MoreFast Company may be light entertainment, but director M. Bevin O’Gara has assembled her own remarkable crew for this breezy caper comedy.
Read MoreAn air of anachronism hangs over the ZSC production of Cakewalk, particularly regarding its treatment of racial and social issues.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues