Theater
About Clarence & Me looks tenderly … perhaps too tenderly …at some pertinent contemporary issues.
Among the driving forces behind Anna Deavere Smith’s latest solo work is a call to strengthen “our collective capacity for action.”
This fledgling stage troupe aspires to raise a call to arms.
This is a beautifully acted but grim 70 minutes of theater, a no-frills look at the dynamics of a struggle about life and death.
The staging is a brash translation of Shaw’s early twentieth-century delicacy into twenty-first century Yankee sensibilities.
There is much to like in this outdoor production of Love’s Labor’s Lost — the time passes by quickly and there are plenty of smiles along the way.
The Emperor of the Moon is a boisterous bit of family friendly late-afternoon entertainment under Shakespeare & Company’s Rose Footprint Tent.
Shakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
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