Theater
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
Children of the Wild’s Daniel Shays is the ideal response to the once popular 19th century Ballad of Daniel Shays.
The CTC’s first production of the summer is an unqualified delight.
Flawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
This is an evening that, through an excess of imagination, makes as little sense as possible.
Alan Brody’s play is a pleasant valentine, and it will likely find a life in regional and community theaters.
A difficult balancing act: marrying art with the community-based traditions of everyday rural life.
There are just too many traumas on Hasfari’s checklist, too little time allotted to dramatic depth.
Theater Commentary: Trump, Julius Caesar, and Political Farce
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
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