Theater
Mortals would be foolish to miss the ASP’s version of Shakespeare’s Dream.
Two plays from major American dramatists interrogate how we come up with the stories we tell about ourselves.
In essence, Arrabal is a celebration of Argentina’s wonderful dance tradition, the Tango.
This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.
Lester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
The source material — and the skills of Tennessee Williams’ posthumous collaborators — provides an evening of compelling theater.
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
Theater Commentary: “Trumpismo avant la lettre” and the Elliot Norton Awards
Hypnotized by celebrity and the monied class, our stage critics have become a gaggle of cheerleaders, feckless enough to call Diane Paulus a “visionary.”
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