Theater
Albert Camus brings a bracing response to thinking about the worse that is missing in so many of our current dystopias.
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With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
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At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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Shining leads make up for a problem play that, in this production, has been further problematized.
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Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
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The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
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The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
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But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
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Hub Theatre Company’s True West is a joy to watch.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues