Theater
Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
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The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
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The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
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But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
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Hub Theatre Company’s True West is a joy to watch.
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The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
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The Niceties gives us an invaluable opportunity to hover outside of the current political debate about race and American history.
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Flat Earth Theatre’s staging of Antigone was filled with strong performances and provocative ideas.
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Little Orphan Danny is an engaging and satisfying musical, a fun journey through the life of an affable troublemaker.
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With this production, Penobscot Producing Artistic Director Bari Newport has raised the artistic bar for Bangor’s premiere theater company.
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Arts Commentary: Rich in Creativity — But Nothing Else