Theater
August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
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Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
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Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
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This Midsummer Night’s Dream is a pleasant enough entertainment that is helped mightily by the bucolic waterfront setting.
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An Inspector Calls speaks with ease to our own times, bedeviled with “alternate facts” and ethical doubts.
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The action is set in an incongruous and ahistorical no-man’s land, adrift between realistic drama and farce.
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Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.
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The Closet is funny, brash, entertaining, and utterly forgettable.
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Stage Commentary: Making Boston Theater Magical Again?
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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