Theater
This Midsummer Night’s Dream is a pleasant enough entertainment that is helped mightily by the bucolic waterfront setting.
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An Inspector Calls speaks with ease to our own times, bedeviled with “alternate facts” and ethical doubts.
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The action is set in an incongruous and ahistorical no-man’s land, adrift between realistic drama and farce.
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Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.
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The Closet is funny, brash, entertaining, and utterly forgettable.
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The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
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Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
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It is heart-warming that, in these “worst of times,” playwrights like Carey Crim are working quietly to give us a look at new beginnings with humor and tenderness and hope.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
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Arts Commentary: Rich in Creativity — But Nothing Else