Theater
This review, like the opening night of She Loves Me, is dedicated to the life and work of the late producer Harold Prince.
The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
On the Exhale is one of the most powerful and uncompromising one-person shows I’ve ever seen.
The production strikes a fine balance between comedy and seriousness, public and private concerns, bringing a complex and compelling play to vibrant life.
Over thirty years after it premiered, the script remains touching and funny, with the added merit that it provides a refreshing respite from the sour discourse of 2019.
Two new musicals aimed at young audiences: One sings, the other yowls
This production of Morning’s at Seven is a celebration of Peterborough’s theatrical family as much as it is the depiction of a fictional one.,/em>
Aziz Ansari does get laughs throughout his set, but the tone of Right Now begins and ends on a note of sobriety.
The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
Cultural Commentary: Arts Criticism — An Embarrassment of Whiteness
Can anyone — with a straight face — argue that our largely white critical contingent in Boston is interested in generating hard hitting debate, controversy, and unconventional ideas?
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