Theater
The artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
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A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
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English makes us consider what it looks like from the other side of our native tongue; from the outside looking in.
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In his virtuoso one-man show, Bill Irwin pays adroit homage to the language and vision of Samuel Beckett.
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The story has the earmarks of YA fiction: a community of dysfunctional adults contribute to the plight of alienated kids who, badgered by persecutors their own age, seek to escape their torment.
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Like a magic show where you know you’re being duped and enjoy it all the same, Reiser’s act was something you just settled back and enjoyed without analyzing it too much.
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Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
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Two stirring dramas hit Broadway, one weightier than the next
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“Samuel Beckett’s work speaks to me because he’s a very visceral writer. And, because I have training as a clown, I think of him as a natural clown.”
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Arts Commentary/Interview: The Climate Crisis and Theater — A Playwright’s Perspective
Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?
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