Theater
9/11 has inspired a number of movies and TV documentaries, but theater works about the event are rare. What are dramatists and theater companies afraid of?
Read MoreTrapped in a cluttered set meant to evoke an abandoned nightclub (with old, upside-down flowerpots? why?), the cast of TEN CENTS A DANCE do little but wander about singing strangely uninspired arrangements of some of America’s best-known songs.
Read MoreAnyone who has sat through a commercial for one pill or another will recognize and acknowledge the satiric thrust of this enjoyable 1920’s French farce.
Read MoreMultiple Google searches suggest that no one is celebrating the 400th anniversary of the second of Ben Jonson’s tragedies. I don’t think I will live to see a production of CATILINE, but attention should be paid to this awkward but powerful script. Filled with moral strength, perceptive realpolitik, and rich poetry, it proffers a brilliant serio-comic meditation on political gangsterism.
Read MoreA fascinating adaptation, well worth the trip to out-of-the-way Chester, MA, TURN OF THE SCREW is never less than interesting and often all-absorbing — especially when actress Allison McLemore lets loose.
Read MoreIn BUG, a deranged veteran fights for his “freedom” against phantoms in a hermetically sealed echo chamber that he is willing to blow up for the good of mankind. As The Tea Party would have it: Either change the government or shut it down.
Read MoreA busy month of theater, especially for off-speed, postmodern romances, while old-timers such as the Gershwins and Tennessee Williams receive some attention as well.
Read MoreIn the perceptive hands of director Joann Green Breuer, the combination of scripts (stretching from the 1940’s to the 1970’s) proffers a compelling meditation on Tennessee Williams’ exploration of women and desire, as well as some surprising spins on his classic plays.
Read MoreDramatist Jason Grote spins a postmodern, political variation on Scheherazade in his play 1001, and while it skimps on the imaginative playfulness of other versions, its time-tripping allusiveness has a scruffy intellectual charm.
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