Theater

Theater Review: A New York Stage Round-up — Too Much to See, Too Little Time

December 22, 2013
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The gem of the weekend was an exhilarating production of “A Midsummer Night’s Dream,” directed by Julie Taymor in the extravagantly imaginative style she has developed over nearly three decades.

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Theater Review: Shakespeare’s “Henry VIII” — History as Smoke, Mirrors, and Spectacle

December 19, 2013
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Given how rarely “Henry VIII” is staged, any Shakespeare enthusiast worth his or her salt should definitely take in this uneven production.

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Theater Review: Chekhov Lite — “Vanya and Sonia and Masha and Spike”

December 17, 2013
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Chekhov’s jokes are the inevitable by-products of his characters confronting life’s absurdities; Christopher Durang is content to wring laughs out of wacky situations and cartoon caricatures.

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New York Theater Review: “Domesticated” — Morally Untenable

December 10, 2013
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What feels absent in Bruce Norris’s “Domesticated” is some sort of moral center to its familiarly skewed, down sliding spiral of relationships.

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Theater Review: “Becky’s New Car” — A Song of the Open Road

December 7, 2013
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“Becky’s New Car” turns out to be a ride worth taking, especially if we suspend our disbelief long enough to embrace the notion that malice is not necessarily aforethought even though our actions might be construed to suggest otherwise.

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Theater Review: “Mies Julie” — Writhing in the Danger Zone

December 5, 2013
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In her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.

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Theater Review: Fine Performances in a Cut-Rate “Camelot”

December 1, 2013
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Benjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.

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Theater Review: Colin Quinn’s Sharp and Funny “Unconstitutional”

November 29, 2013
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Stand-up comic Colin Quinn has been giving a lot of thought to the Founding Fathers, their vision for the new nation and, well, how that turned out. The result is his sharp and funny one-man show.

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Theater Review: “The Cocktail Hour” — A Pick-Me-Up for Waning WASPS

November 25, 2013
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With the 1% rapidly vacuuming up the resources of the upper and middle classes, A.R. Gurney’s comic vision of the tipsy idle rich, shorn of cares and criminality, floats completely free of reality.

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Theater Review: Israeli Stage Brings “The Whore From Ohio” to Boston

November 16, 2013
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“The Whore From Ohio” is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own existence, and attends the theater.

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