Review
Besides giving us a multi-faceted portrait of Robert Frost that leaves the poet tantalizingly inscrutable, Adam Plunkett does what the best biographers of great writers do: send us back to the work with renewed curiosity and heightened appreciation.
Among this novel’s merits is its powerful celebration of the will to live, dovetailed with an evocation of the love members of a family have for one another, even under the most brutal and apparently hopeless circumstances.
There are similarities between Randall Blythe’s music and his prose; both acknowledge the inescapable turmoil, darkness, and tragedy that bedevils everyone.
In this compulsively readable novel, a Ukrainian Jewish woman does what she needs to survive in the nationalistic, anti-Semitic, and misogynistic Stalin-era Soviet Union.
The show may be a case of inside baseball, appealing to a small group of art history majors and museum lovers. But it offers a fascinating look at innovation at one of the country’s most revered, and most traditional, colleges.
“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
John Patrick Higgins is a deft writer whose prose often displays a spare lyricism.
Films can transform the way that their subjects are seen, sometimes by just making a subject visible. That was the case with three films which were among the best that I saw at Sundance this year.
Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
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