Review
But make no mistake about these two novels; they are not just delicious, hilarious capers. They glow in the mind because they are informed by Elizabeth Jolley’s understanding of our common loneliness and her sympathy with the myriad, ingenious connections we make to try to alleviate it. The Sugar Mother by Elizabeth Jolley. Persea Books,…
“Life, you see, is a lonely business . . . When there is a storm, it’s best to turn into the teeth of it. Don’t fly away, allowing an evil wind to come upon you from the stern. That’s our weakest part. We’re rib cage and metal up front. The bow is always best. Head…
Call it anarchistic boorishness, an artist chomping on the hand that feeds him. But at least Thomas Bernhard is honest about why he welcomes awards — he wants the money, especially because the amounts, given European largess to its culture-makers, are considerable. My Prizes: An Accounting by Thomas Bernhard. Translated from the German by Carol…
Gish Jen’s novel about New England small-town life in the new millennium, “World and Town,” has just come out in a paperback. We greeted the hardback edition of the book with a Judicial Review, a fresh approach to creating a conversational, critical space about the arts. It is a good time to highlight the innovative approach again. The aim is to combine editorial integrity with the community—making power of interactivity.
The Arts Fuse began as my blog after the untimely end of NPR/WBUR Arts Online. But, as more writers and critics wanted to make their voices heard, the blog became a magazine. So, I decided to make it a New England focused magazine modeled on other pioneering efforts to cover the news online, such as…
Jonathan Franzen’s new novel is the talk of the town, but does it have anything to say? Freedom: A Novel, by Jonathan Franzen. Farrar, Straus, and Giroux, 576 pages, $28. Reviewed by Tommy Wallach In two days, Farrar, Straus, and Giroux will publish Freedom, the new novel by Jonathan Franzen whose last book, The Corrections,…
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…
In Serenade/The Proposition, the first of Bill T. Jones’ investigations into the myth and legacy of Abraham Lincoln, the choreographer looks at history and history looks back. By Debra Cash Cash was the professional critic on the Judicial Review panel reacting to Bill T. Jones’ Serenade/The Proposition at Jacob’s Pillow, July 21 through 25. She…
And why [are] men bound beneath the heavens in a reptile form/ A worm of sixty winters creeping on the dusky ground? — Tiriel, William Blake Metropolis. Directed by Fritz Lang. Written by Lang and Thea Von Harbou. With Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Erwin Biswanger, Theodor Loos, Fritz Rasp, and Heinrich…
There is now an eighth Judicial Review, with the panel deliberating on the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical “Assassins,” which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States. Below: background on…
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