Review
We become increasingly aware that we are in the mind of a doctor who has taught himself to observe carefully, who has an amazingly strong will to survive, and who chooses not to waste precious time and energy on anger or revenge.
Read MoreThe singing in the SpeakEasy Stage Company production is strong throughout; it’s easy to get caught up in the sheer pleasure of such a variety of voices.
Read MoreIn nearly 78 minutes of intensely concentrated playing, Jane Ira Bloom’s album offers some of the greatest ballad performances I have ever heard.
Read MoreBruce Springsteen’s “High Hopes” is a collection of covers, reinventions, and new recordings of odds and ends that have been kicking around for the past decade-plus.
Read MoreThe music was loud, the dancers laughing and sweating and clearly happy to be liberated from their cabin-fever inducing confines to let loose and have some fun.
Read MoreJohn Tiffany’s Tony-winning direction of “Once,” restaged for the current tour, is a miracle of judicious rhythmic choices and deft transitions.
Read MoreUsing her family’s history as a springboard, Julia Franck has created exemplary figures forced to navigate the treacherous shoals of her country’s history.
Read More“Venus in Fur” could be best described as cheeky rather than kinky, more of a talky intellectual exercise than a zesty exploration of the allure of sexual domination and submission.
Read MoreNic Pizzolatto’s scripts for “True Detective” have their moments but, self-consciously literary, they also are painfully overwritten.
Read MoreThe greatest album of the year isn’t even an album per se. There is a lot of hoopla surrounding the leak of what might be the debut album of elusive British lo-fi R&B artist Jai Paul.
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