Review
Looked at on his own terms Thomas Hart Benton is an American Master and deserves to be reconsidered.
In A Swedish Love Story, Roy Andersson muses on the meaning of life, but for the first and last time he expresses his sense of life’s absurdity through an accessible plot line.
Cinderella isn’t a lavish spectacle à la the Met, but rather, like its heroine, modest on the surface while pulsing with a generous heart underneath.
The overriding theme in Roy Andersson’s films is the conflict between human frailty and our delusions of control.
Powder Her Face proved the perfect capstone to Odyssey Opera’s month-long survey of British (mostly comic) opera: biting, darkly humorous, provocative, and relevant.
One thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
Arts Commentary: The Orchestra Gap — Europe vs. the US