Review
Selma doesn’t dare to offer the viewer anything new.
The Man Between offers a fascinating glimpse of the late master translator Michael Henry Heim, its reportedly modest and reticent protagonist.
The virtuoso approach of Bedlam’s Saint Joan, its unpretentious immediacy, makes this production an exuberant Shavian history lesson that should not to be missed.
The fooling around was far more compelling than I could have imagined: the Ukulele Orchestra of Great Britain know how to throw a fun, funny, family-friendly show.
This was the sixth consecutive year the double bill of Cracker and Camper Van Beethoven hit the Middle East on MLK weekend; it was sold-out as usual.
Zayd Dohrn’s slightly predictable Muckrakers offers some satisfying twists and turns as it moves toward the inevitable.
Shakespeare may have written Measure for Measure as a dystopian satire of what it would be like if the Puritans were ever to take over England.
Better Late Than Never: Fuse Music Critic Noah Schaffer’s favorite live music moments from the past year.
Of all the cinematic indictments of the 1% that have flooded the multiplex in the wake of the financial crisis, Bennett Miller’s Foxcatcher stands as one of the most understated.
Playwright Ken Urban doesn’t seem to have a strong point of view about his thirtysomethings-in-a-muddle; neither does he allow them to change or grow.
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