Review
A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Each of the ten or so music-less sections showed us a different way of composing movement.
Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Brooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
Alice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
What keeps the film churning? Not much. A bit of withheld information.
If anyone needs more evidence that graphic memoirs are the equal of purely literary ones, Invisible Ink closes the case for good.
Theater Commentary: Live Theater—An Incomparable Art Form