Review

Theater Review: “Oh God” – Psychoanalysis Saves The World!

April 27, 2016
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Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.

Book Review: Alvin Epstein’s “Dressing Room Stories” — Vivid Theater History

April 26, 2016
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Alvin Epstein’s recollections about his decades as a stage performer have been gathered in the form of tales abut what happened behind the scenes,.

Film Review: Disney’s Revamped “Jungle Book” — A Remarkable Remake

April 25, 2016
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Those familiar with –and, like me, in love with — the 1967 animated Disney film, may fear (as I did) that the new version would substitute CGI for story.

Concert Review: Boston Symphony Orchestra’s Season Finale

April 25, 2016
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There’s an apparent level of trust between the BSO and its leader, best demonstrated by the spirited excellence of the orchestra’s playing of late.

Restaurant Review: The Table — A Memorably Delicious Destination Location

April 25, 2016
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The Table is serving a nightly prix fixe menu that will win over the palates of the most finicky foodies.

Film Review: “Elvis & Nixon” — Together Again

April 24, 2016
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Elvis Presley and Richard Nixon connect in their joint emotional poverty in this funny, charming, yet somewhat fluffy film.

Dance Review: Hubbard Street Dance Chicago Comes to Boston — Sensorial Satiation

April 24, 2016
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The latest show from the superb Hubbard Street Dance Chicago had something for all of the senses.

Theater Review: Actors’ Shakespeare Project Serves Up a Genial “School for Scandal”

April 23, 2016
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The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.

Film Review: Jazz Trumpeters Miles Davis and Chet Baker — Dueling Biopics

April 23, 2016
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The real advantage Born To Be Blue has over Miles Ahead is that it uses the music as a way to get into the soul of its title character.

CD and Concert Review: Harnoncourt conducts Beethoven (Sony Classical), Bernard Haitink conducts Mahler

April 23, 2016
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Nikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.

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