Review
London’s Design Museum is now one of the major venues in the world for experiencing the art of design.
This is a thoroughly pedestrian production — wobbly, uninspired, and often downright tedious.
Dorrance’s partners dance jazz in the most basic way, for its propulsiveness and its amenability to individual imagination.
Cameron Carpenter played the Terry Riley composition commandingly.
Askins’ script is an amusing mash-up of sex comedy and supernatural horror parody.
Search for who you are and stick to it, Mike Mills advises in his films, though it may not always be easy.
The Making of a Great Moment comes off as flawed entertainment
Lion’s heart is an exhilarating sequence where Saroo painstakingly discovers his origins.
The restoration and re-issue of Julie Dash’s masterpiece is a valuable reminder that black female filmmakers are still woefully unsung.
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