Review
The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
The Unknown Kerouac is good for the advancement of Kerouac scholarship, but the book hardly justifies, for the average reader, its price and size.
What the play lacks in surprise, the Wilbury treatment makes up for in excellent staging, acting, and a commitment to physical theater.
Carrie J. Preston refuses to characterize these cultural exchanges in moralistic or narrowly political terms.
There’s nothing here to challenge the status quo, just an amiable ‘sex’ comedy about characters who aren’t getting any.
The publication of de Baecque and Herpe’s wonderful biography needs to be followed in the USA by a complete Éric Rohmer retrospective.
Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.
If tourists come here for the fishing, the golf, the grand hotels, the real estate, why not also for an interesting lineup of movies?
Seeing Happy Ending a few days after the shock of the 2016 presidential election felt bracing to me.
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