Review
On this album, saxophonist Noah Preminger serves up his visceral reaction to the post-election state of affairs.
“My ancestors fled pogroms in Poland and today we have a crisis to rival what went on in the 1940s.”
It was a treat to experience Philip Glass’s orchestral music live and in-person.
Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.
The Wooster Group deconstruction adds layers of artificiality to what may or may not have been a serious event.
This collection demonstrates that the music of Ornette Coleman is in tune with something elemental and essential in the human spirit.
Tony Fletcher’s research is impeccable, his sources are unimpeachable, and his style is thoroughly engaging.
This Peterborough Players production deserves a longer run than it has in the company’s inaugural winter season.
The Druid Theatre Company staging shows what amazing things happens when a group of artists work together fully and completely .
Nothing in this over-lengthy work refers to whales, the ocean, or even the fishing industry.
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