Review
We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.
Few in the business proffer the same fusion of near-unbelievable chops/technique with an acute musical sensitivity that encourages near-miracles.
By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
The Fest’s music is mostly about audience participation — whether it’s dancing, sing-a-longs, or shouts of call-and-response.
This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
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