Review
Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.
For a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.
Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.
All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
The source material — and the skills of Tennessee Williams’ posthumous collaborators — provides an evening of compelling theater.
We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.
Few in the business proffer the same fusion of near-unbelievable chops/technique with an acute musical sensitivity that encourages near-miracles.
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