Review

Theater Review: “Kunstler” — A Radical for the Defense

May 23, 2017
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Barrington Stage has kicked off its summer season with a smart, funny, and very timely show about radical defense attorney William Kunstler.

Film Review: “The Death of Louis XIV” — Spotlight on Mortality

May 22, 2017
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It is not a movie for every taste; in fact, it is as close to watching paint dry as a film can get. I mean that in a good way.

Book Review: “Rapture” — Modernism, Daredevil Style

May 21, 2017
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Rapture is a worthwhile curio that grapples, entertainingly, with Modernism’s artistic, structural, and revolutionary quandaries.

Theater Review: “Arrabal” — The Triumph of the Tango

May 20, 2017
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In essence, Arrabal is a celebration of Argentina’s wonderful dance tradition, the Tango.

Concert Review: Gershwin’s “Of Thee I Sing” at Robbins Auditorium

May 19, 2017
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In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout

Theater Review: “Dead Man’s Diary” — Dare to Enter

May 17, 2017
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This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.

Concert Review: Cantata Singers — An Evening of Biblical Power

May 17, 2017
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The Cantata Singers prefaced its intriguing, Jewish-themed performance with a marvelously sensory, spiritual experience.

Dance Review: Beth Gill’s Passages

May 16, 2017
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Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks

Music Review: Singer/Songwriter Lucinda Williams — Americana Chanteuse

May 15, 2017
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The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.

Theater Review: Rock Critic Lester Bangs — A Welcome Rebel Yell

May 15, 2017
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Lester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.

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