Review
All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
The source material — and the skills of Tennessee Williams’ posthumous collaborators — provides an evening of compelling theater.
We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.
On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.
Few in the business proffer the same fusion of near-unbelievable chops/technique with an acute musical sensitivity that encourages near-miracles.
By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
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