Review
Burn all Night is a pretty damp squib coming from one of the country’s major regional theaters.
The performances were variable, but their messages could not have been timelier … or more necessary.
Gerald Shea’s is a powerful voice for the legitimacy of Sign Languages of the Deaf and for visual communication as an essential human right.
So, how do you come away from a lukewarm production with such positive feelings?
Veteran Shakespeare & Company members Corinna May, Diane Prusha, and David Joseph contribute satisfyingly polished performances.
Matt Wilson’s album includes both beautifully performed musical settings and readings of Carl Sandburg poems.
A face-off between these two artists is ridiculous because picking a favorite is pointless.
Israel Horovitz’s latest play delivers some fine moments of comedy as well as some dark revelations about female neediness.
To see a production of this quality in a small theater was a privilege.
We want to see how looming middle age is treating these two friends, whose intersecting careers and self-images shape their relationship.
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