Review
Of course, neither saxophonist sounds precisely like Coltrane: there would be no point in trying.
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
A romp in and around a centuries-old Italian convent, acting out a 14th-century story using contemporary American idiom and attitude.
The Beguiled is a beautifully-shot, atmospheric thriller with a daring take on sexual autonomy and dynamics.
The CTC’s first production of the summer is an unqualified delight.
The history and process of judicial selection — dispassionately detailed.
Focusing on these indomitable and sometimes troubling women, Fought has written an engaging book that is compelling, sometimes even fierce.
The idea of the project is to cross-fertilize new dance in the two cities (Boston and New York) by presenting choreography in cabaret settings.
Film Commentary: Death Knell for American Independent Cinema?
The well has evaporated for much of new American independent cinema.
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