Review
Wilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.
One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.
I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.
In Ionesco’s play, society no longer makes sense — even to itself.
Dana Schutz packs evocative and unexpected narratives into confined spaces, but not all of them fit as well as she thinks they do.
Ebony Quartet serves up a “must-hear” album of music from between the world wars.
WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.
Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.
On the whole, this BSO Opening Night was a welcome overview Leonard Bernstein’s larger output and of his versatility as a composer.
Soprano Joyce El-Khoury sings spectacularly in her new disc, Echo.
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