Review
I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.
In Ionesco’s play, society no longer makes sense — even to itself.
Dana Schutz packs evocative and unexpected narratives into confined spaces, but not all of them fit as well as she thinks they do.
Ebony Quartet serves up a “must-hear” album of music from between the world wars.
WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.
Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.
On the whole, this BSO Opening Night was a welcome overview Leonard Bernstein’s larger output and of his versatility as a composer.
Soprano Joyce El-Khoury sings spectacularly in her new disc, Echo.
What keeps Stronger from turning into a patly sentimental yarn is Jake Gyllenhall’s modulated performance.
Hindemith and Britten could hardly have asked for more committed advocates than Steinbacher, Jurowski, and the RSOB.
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