Review
Director Courtney O’Connor, the Nora Theatre, and its skilled cast do right by this hilarious historical comedy.
With Lady Bird, Greta Gerwig has come up with what will surely be one of the best films of the year.
Chase’s iconoclastic genre-crossing oratorio proceeds from dark to light, and wins its struggle for transcendence.
Sleeping Weazel stages a gutsy production of an angry, ugly, and essential history lesson.
Richard Gessner’s head is a cavern piled high with wonders—original images, fresh metaphors, mind-stretching scenarios, and alternate world orders.
I found myself almost wishing the dramatist had written a longer play (a rare desire coming from a theater critic).
Nothing of value, it seems, was out of the reach of J. Pierpont Morgan’s acquisitive grasp.
Is a romantic relationship with someone who is lovely — but mentally ill — worth the effort?
Book Review: “We Were Eight Years in Power” — An Essential Book
Nothing could be more necessary at this point in time than this book.
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